TAG Heuer released its first-ever mechanical split-seconds watch last year, in what is arguably the most complex (and expensive) watch from the brand, taking its iconic Monaco line into the future with decidedly analogue workings.
The model dates back to the original Heuer Monaco launched in 1969, the genesis of the racetrack-inspired chronograph that represented speed, luxury and precision, now reaching a new zenith for the luxury brand which normally doesn’t dabble in the hyper-exclusive space.
In fact, the original Monaco time teller was made famous by Steve McQueen in the iconic ‘Le Mans’ movie of 1971, distinctive for its square body and intricate face. Of course, with McQueen comes ‘cool’ because, after all, he was the king of cool. The Monaco became a cult classic and saw many special editions and plays on the original design, with various automotive collaborations along the way, but none were anywhere near as exclusive as the watchmaker’s latest creation.
The TAG Heuer Monaco Split-Seconds Chronograph is able to record multiple time intervals that start together but end at differing points, featuring two central hands and an additional ‘pusher’. While other watchmakers have tried, and failed, to produce a reliable split-seconds wristwatch, TAG Heuer opted to collaborate with world-class movement manufacturer Vaucher to ensure a product that was up to the task.
A texturised grade-five titanium case encapsulates the complex split-seconds movement, which is ultra-light, incredibly strong and visually stunning. Clear sapphire glass provides a clear view of the counters, bridges and titanium split-seconds pusher with its inner red aluminium tube – a work of art, really. A sapphire glass rear provides an intimate view of the hand-painted oscillating weight at the heart of the watch.
If the Tag Heuer Monaco Split-Seconds Chronograph tickles your fancy, and you’re willing to spend upwards of $200,000 on your next timepiece, you too could channel your inner Steve McQueen while pushing the limits of man and machine.
