Easty Beasty

and the Art of the Sea

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Easty Beasty and the Art of the Sea

8 July, 2025

Words by:

Dani Wood

How a Late-Blooming Surfer Became Australia’s Queen of Cosmic Grit

If you’ve ever spotted a faceless surfer god riding a cosmic wave on a t-shirt, poster, or someone’s kitchen wall near the coast, chances are it was Easty Beasty’s work. Equal parts sunburnt, strange, and a little sacred, her illustrations are surf culture seen through a psychedelic lens, gritty sea spirits, cowgirl mermaids, and dreamscapes that look like they’ve washed ashore straight from another dimension. Her work doesn’t just nod to surf culture, it winks at it, teases it, and then lovingly pulls it apart.

Based in Byron Bay, Easty (real name none of your business) is part artist, part surfer, and part soup enthusiast. She’s also one of the most distinctive creative voices in Australia’s surf-skate scene, which is saying something in a culture built on big energy and even bigger personalities. Her style is raw and fluid, like it’s been rinsed in saltwater and left to dry on a clothesline next to a sandy towel.

Originally from Ipswich, an old coal mining town near Brisbane, Easty didn’t grow up near the sea. Her relationship with the ocean began later, sparked by a move to Sydney, a painful breakup, and the kind of heartbreak that sends you searching for something bigger than yourself. She found it in the surf.

“I started swimming every morning, just being alone with the water,” she says. “It was therapy.”

That’s when the Easty style was born, dreamy, cheeky, full of celestial chaos and salt-soaked symbolism. Her illustrations began to take on lives of their own, and people noticed. Soon her art was being picked up by brands like Afends, Rusty, and Impala Skate. She collaborated with surf-punk duo Hockey Dad. The crossovers, fashion, music, skate, and art made sense. They felt like home.

But that wasn’t always the case.

“I grew into it,” she admits. “I’ve always had hectic imposter syndrome. But I love fashion, and I love how all these worlds overlap. I’ve always felt like a bit of a loser… Maybe this is just my second coming in my 20s.”

These days, her pace is a little slower. Living in Byron has offered her space to breathe, surf, and indulge her obsessions, mainly coffee and eggs. “A typical day is a surf, work, then maybe another surf. Three coffees. And soup, I’m deep in a soup phase,” she laughs.

She’s also fiercely loyal to her local haunts. “Happy Days café is my absolute favourite. It’s in the industrial estate and the guy who runs it, Hamish, does toast and spreads, but every single element is unbelievably delicious.”

Though her days might be gentler now, Easty’s creative drive remains sharp. In the beginning, the work came fast and emotionally charged. “I was revenge-creating. It felt like I was a vessel.”

Lately, she’s leaning into patience. “Now I try to be more intentional. I’ll finish something and sit with it for a bit. Sometimes it needs more. Sometimes it’s perfect as is.” And how does she know when it’s done? “It just looks good. Like, you know it. That’s sick. That’s it.”

Her influences are as eclectic as her aesthetic, Ralph Steadman, Mambo, Hieronymus Bosch. She’s obsessed with the surreal and the strange, fascinated by the occult and alternate dimensions. Still, surfing remains a common thread.

“It can be serene and meditative one moment, then gladiatorial the next. At the heart of surf culture, it’s the respect for something bigger than you, something you can’t control. But there’s also a radicalness to it, especially in how artistic and progressive the community can be.”

Though she never went to art school, drawing has been a part of her since childhood. Her brother played sport, so she’d tag along, sitting on the sidelines with a sketchbook. A bad art teacher nearly derailed her confidence in high school, but she had another, Stella, who pulled her through. For a year or so, she stopped drawing. Then the itch returned, and never left.

Now she’s dreaming bigger. Her dream collaboration? “Billabong, one hundred percent. I’ve done Afends, I’ve done Rusty. I’d love to round it off with one of the OGs.” She also hints at a dream project currently in motion. “I can’t say who it is yet, but I’ve admired them forever. I’m just waiting on confirmation. I feel like I could vomit, but I’m very excited.”

There’s more on the horizon too, including a new Easty x Afends drop, eco-conscious hemp tees and caps, and a soft launch into homewares. And then there’s the exhibition planned for September. She’s keeping details close to her chest for now but says it’s something special.

When asked when she feels most like herself, her answer is layered. “There are different versions of me,” she says. “Sometimes when I’m paddling out. Sometimes when I’m hungover and silly. Sometimes just being around my friends.”

Her work might be surreal and strange, but it’s rooted in grief, joy, introspection, absurdity, and a genuine affection for the communities and coastlines that shape her. She draws what she feels. And at its core, it’s a response to the world we live in, and a reminder that creativity, in itself, can be a form of coming home.

“We spend so much of our lives consuming other people’s work,” she says. “I think it’s nice to be one of the people putting something back into the world.”

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