"We just stayed true to who we were."

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Bar Lourinhã: The Institution That Introduced Bar Dining to Melbourne

28 September, 2026

Words by:

Sarah Palmieri

Twenty years on, Jo Gamvros and Matt McConnell are still behind the bar, still independent, and still in the CBD

In Melbourne’s CBD, like most cities around the world, it’s hard not to notice the franchises moving into spaces that independent owners used to run. Streets used to bustle from one owner to the next, and walking through a door felt like stepping into someone’s home instead of their investment property. At L’Area in Paris (a favourite of mine), the owner will always pour a shot of sambuca and light the cigarette of anyone he knows. It now sits around the corner from a chain brasserie. Another Parisian favourite, Cifonelli, the renowned tailors who have been making suits for centuries, are now next door to a Zara outlet. At the risk of sounding insufferable, this is why I write: to point people towards the places that bring culture, history and a deep understanding of their craft to a street, to a city, to all of us.

Bar Lourinhã on Little Collins Street is one of those places. It’s a European-style bar with an Iberian and Mediterranean menu, and it was doing bar dining before much of Australia knew what that meant. These days we’re flooded with small plates, of course. Still, there’s something warm and a bit funny about remembering the people who tried it 20 years ago and got confused looks instead of photos.

I went for lunch the other day (bringing my hard-to-impress Dad) and got the kind of hospitality that only comes from someone who has been in the game for years. In my eyes, it’s the very rare kind, where an empty glass or someone leaning on the bar is all the more charming.

Over a long lunch, we swapped stories with Jo Gamvros, who opened Lourinha with her partner, chef Matt McConnell. Meanwhile, regulars wandered in, blowing kisses to Jo and perching up at the bar, as though it were their own home.

The photographs on the walls are hers. Jo has exhibited as an artist for more than 30 years. Before Lourinha she shot food for Gourmet Traveller and for Fairfax, where she photographed The Age Good Food Guide for about a decade. Before that, she worked hospitality through her RMIT days, at Gypsy Bar on Brunswick Street and the Napier Hotel. She tells me that was back when Fitzroy was full of live jazz, funk and ska, that her hospo crew had a running rivalry with the notorious Mario’s. “It was just a very eclectic time.”

Melbourne was a different place then, and the city was still working out what its dining scene could be. “My generation of hospitality workers, we just did it,” Jo says. “We were determined to bring hospitality into Melbourne.” There weren’t many rules, and people took liberties, some good and some not.

Lourinhã grew out of trips she and Matt took to her family in Italy and Greece, with some time in Spain too. They started in 1991. Matt would get pulled into the kitchen with the women while Jo played cards with the men and photographed the stories they told. Between them, they filled boxes of diaries with recipes and notes. What stayed was the way people ate over there, perched at a bar with small plates and a glass of wine, well looked after without any fuss. Melbourne had nothing like it.

When they opened, Jo remembers, the pitch was simple. “We just want to bring bar dining to Melbourne.”

Nobody quite knew what to do with them. Gourmet Traveller put them in the country’s top 50 for years but wouldn’t call them a restaurant. The Age didn’t know where to put them at all. One critic, the late Stephen Downes, told them he’d have handed over two hats straight away if they’d given him a linen napkin instead of a paper one. “Because we’re a bar,” Jo told him. Their first hat came a few years later. “We just stayed true to who we were,” she says. “Melbourne didn’t have it, and it needed it.”

Twenty years on, the high tables have made way for low seating and there’s a private dining room upstairs. The bar is staying put. The people who once partied at those high tables in their 20s now bring their kids in, and the kids come on first dates. Jo has seen proposals and bad Tinder dates. At least once, someone walked in to meet one person and left with someone else.

When I ask why she hasn’t cut corners the way bigger groups have, she doesn’t take long to answer. “I’ve got a very strong sense of justice,” she says. She comes from war families who learned to survive and were proud of what they put on the table, so selling out isn’t an option. “Could I sleep with myself if I did that? I probably couldn’t.”

That’s what an independent place gives a city, and a chain can’t copy it. Jo’s daughter asks how she knows someone everywhere they go. “Because we’ve been an integral part of the city for 20 years,” Jo tells her. Her grandmother used to say, “All of these chairs are for the people. You welcome them all in, and you sit them down.”

That’s also why you won’t find a minimum spend at Lourinhã. If someone only has time for a drink and a tapa, Jo is happy to have them. “I’m not going to be precious,” she says. “That’s boring. You don’t get to meet people that way.” The glass of wine might turn into a full dinner next time. Plenty of the people sitting at that bar started exactly that way.

What she wants next is a return to where they started – a new venue. She and Matt have their eye on a few spaces nearby, imagining in their next standing bar, serving good food by the piece and good wine by the glass. “In the CBD,” she says, “because what happened to that? Why has it all got to be sit down, and the linen and the leather?” They’re putting some juju on it falling into place. So am I.

It’s places like Bar Lourinhã, which have made a home in the city for two decades, that make dining worthwhile for me. You get to be part of something built on thought, dedication and a deep love of the craft. Dad and I shared a few of their classics, including a kingfish tostada and a broccoli dish Matt had whipped up. “Well, that’s the best broccoli I’ve ever eaten in my life,” Dad said. It’s a big claim, but he wouldn’t say it if he didn’t mean it. My standout was the wet rice, a Spanish dish that sits somewhere between a congee and a risotto. Give me a glass of wine, a spot at the bar with that in front of me, and the warmth Jo and Matt have spent 20 years refining. That is what great dining is all about.

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